How police censorship shaped Hollywood, and how pop culture changed policing | The Washington Post


David Simon was in trouble. Just weeks before he was supposed to begin filming the second season of “The Wire,” Simon still couldn’t get the permits he needed to shoot on the streets of the very city that was his setting. It was time to call Baltimore Mayor Martin O’Malley. via Pocket
from bitly http://wapo.st/2fTM20O
via IFTTT

Advertisements